Andy Warhol famously demonstrated that art could be as mundane and mechanical as a can of soup or a bottle of soda.  But contrary to his reputation as a mechanical figure, Andy Warhol was a biocentric artist with a deep interest in non-human life.  Author Anthony Grudin examines this contradiction, which has been overlooked by most of the artist’s commentators.

A program of Vermont Humanities
Library Sponsor:  The Friends of Ilsley Public Library
Underwriters: The Residence at Otter Creek;  VT Dept. of Libraries; Tapia & Huckabay, P.C.

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